The Party is Over: Radhika Jones to Step Down as Editor of Vanity Fair After Steering the Magazine Through Disrupting Times

- The Indian American has expanded the scope of the publication to address contemporary social movements, making the magazine more engaged with current cultural conversations.

As Editor of Vanity Fair, she occupied one of the most glamorous perches in American journalism. But that was not enough for Radhika Jones. Under her leadership, the publication has evolved to reflect broader cultural concerns while maintaining its signature sophistication.
On Thursday, the Indian American announced that she was stepping down for her job after seven eventful years. In an email to Vanity Fair’s staff that she was leaving to take on new challenges, adding that she didn’t want to experience the “horror of staying too long at the party,” the New York Times reported.
“Ms. Jones is leaving one of journalism’s top jobs at a time of profound disruption for the magazine business. Though many magazines have been shuttered or sold over the last decades, as advertising pages shrank, Vanity Fair has held on as a staple of Condé Nast, which also publishes Vogue and The New Yorker,” the Times added.
Radhika Jones took the helm as Editor of Vanity Fair in December 2017, becoming only the fifth person to lead the prestigious magazine since its modern revival in 1983. Her appointment marked a significant shift for the publication, which had been defined for 25 years by the legendary editorship of Graydon Carter.
Born to an American father and Indian mother, Jones brings a multicultural perspective to her role. She holds an undergraduate degree from Harvard University and a Ph.D. in English and Comparative Literature from Columbia University, where she specialized in Victorian fiction. Her academic background has informed her editorial approach, blending intellectual rigor with cultural awareness.
Jones’s path to Vanity Fair was paved with impressive editorial positions at several distinguished publications: She began her publishing career at The Paris Review, serving as managing editor of this esteemed literary magazine. She then moved into mainstream journalism serving as Deputy Managing Editor of Time magazine where she oversaw the prestigious Time 100 issue and handled special projects. Before joining Vanity Fair, Jones served as Editorial Director of the Books Department of The New York Times, demonstrating her literary expertise and editorial vi
Transformation at Vanity Fair
When Jones arrived at Vanity Fair, she inherited a magazine famous for its glossy celebrity profiles, society coverage, and Hollywood focus. Jones made an immediate impact by featuring more people of color and different body types on covers, beginning with her first cover star, actress Lena Waithe.
Jones took over Vanity Fair during a challenging period for print magazines, facing declining advertising revenues and shifting reader habits. She has navigated these challenges while maintaining the magazine’s cultural relevance.
Under her leadership, Vanity Fair has received recognition for its photographic excellence, investigative journalism, and cultural commentary. The magazine’s digital platforms have seen significant growth, and its special issues continue to generate buzz in media and entertainment circles.
She has expanded Vanity Fair’s scope to address contemporary social movements like #MeToo, Black Lives Matter, and climate change, making the magazine more engaged with current cultural conversations.
Jones has also overseen Vanity Fair’s adaptation to digital media landscapes, enhancing its online presence while preserving the quality journalism associated with the print edition. She has continued to develop the magazine’s political and business vertical, ensuring Vanity Fair remains relevant in covering power structures and their cultural impacts.
Jones’s vision for Vanity Fair balances tradition with innovation. She has described her approach as maintaining the magazine’s core identity as a chronicler of culture, politics, and society while broadening its perspective to include previously underrepresented voices and experiences.
The Hollywood issue, annual Oscar party, and in-depth investigative reporting remain hallmarks of the magazine under her leadership, but with refreshed energy and more diverse representation.
Personal Style
Unlike her predecessor Graydon Carter, who was known for his larger-than-life persona and social prominence, Jones has been characterized as more reserved and intellectual in her approach. She has been described as thoughtful and deliberate, qualities that have helped her navigate the challenges of leading a high-profile publication during a tumultuous time for print media.
By expanding the magazine’s vision of who and what matters in culture, she has positioned the publication to remain relevant to new generations of readers while honoring its storied past.
Her leadership represents a bridge between Vanity Fair’s glamorous legacy and a more inclusive, digitally savvy future—a delicate balance that few editors could maintain with such measured grace.