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Sa, Re, Ga, Ma, Pa, Dha and Ni: An Interpretation of Bach

Sa, Re, Ga, Ma, Pa, Dha and Ni: An Interpretation of Bach

Vidita Kanniks

Having grown up with strong roots in Indian Classical Music I always found that my knowledge of this theoretical system and its aural training merits really informed the way I perceived western music – particularly complex passages such as those written by Bach. Singing these pieces was always such a welcome challenge for me and I quickly found Bach to become one of my favorite composers. In this video I demonstrate how the Indian pitch syllables are attributed accordingly to this rhythmically and tonally complex masterpiece — originally written for 4 voices. Featuring Jessica Korotkin on Cello. 

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