ENTERTAINMENT
Amazon Prime’s “We Were Liars,” based on E. Lockhart’s bestselling young adult novel, joins the…
For over a century, Captain Nemo has been one of literature’s most enduring characters—a brooding…
“Heads of State” kicks off in the thick of geopolitical chaos, with a distractingly cheesy…
Two recent movies about love and marriage in contemporary India caught my attention for the…
Diljit Dosanjh, one of India’s most prominent Punjabi entertainers, finds himself at the center of…
In an era of cinema dominated by spectacle and noise, Subhadra Mahajan’s “Second Chance” emerges…
In an era when theater companies often struggle to bridge cultural divides and temporal distances,…
The New York Times describes the opening of Akram Khan’s latest work “Gigenis: The Generation…
I had the privilege of attending “Vilayat Mahal,” the final production of Naatak’s 29th season—and…
The last book of Frederick Forsyth’s that I read was back in 1992. I did…
Karan Kandhari’s debut feature “Sister Midnight” is a film that defies easy categorization, and that’s…
In a thrilling finale that aired on June 4, 2025, Yogesh Raut emerged as the…
- Through the Immigrant Looking Glass: My Journey From a Small Village Near Srikakulam to ‘Dos Bros Force’
- Mango Season: Beyond the Divisions, a Sense of Belonging and a Shared Past That Binds the Subcontinent
- Historian Audrey Truschke Expresses Frustration with How India and Pakistan Approach Their Shared Pre-1947 History
